Joël Vacheron and I recently published a book about the role of software/bots in cultural production, and the hybridization of cultural forms (music, visual arts, literature) produced by digital technologies.
It’s called “DADABOT An Introduction to Machinic Creolization” and it deals with Twitter bots, generative music, software-based literature, and all those weird art/design experiments with digital hybridization and mash-ups. The book is made up of an essay, experiments with mechanical turks, interviews with Florian Hecker, Holly Herndon, Constant Dullaart, NORM, Silvio Lorusso, Matthew Plummer-Fernandez, an essay by Maxime Guyon, as well as a lexicon of the terminology used by these practitioners.
Designed by Raphael Verona, it's published by ID Pure, and it can be ordered directly from their on-line shop. Some spread below: (a) Mahma Kan Althaman, Whatever the Price by Khalid Al Gharaballi and Fatima Al Qadiri (written in arabix, see more in this Frieze article), (b) a lexicon as well as intriguing list of programming languages, (c) an experiment in which I crowdsourced the description of glitched images to "mechanical turks".